#digitalization #experience #interaction #interactivity #museums #participation #technology
The publication of “The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites” edited by Hannah Lewi, Wally Smith, Dirk vom Lehn, & Steve Cooke has been announced for November 15th, 2019. The book includes interviews by Seb Chan (ACMI), Dave Patten (Science Museum London), Rory Hyde (Victoria & Albert Museum, London), and Keir Winesmith (SFMOMA) as well as chapters covering four broad themes: “THE EMERGING GLOBAL DIGITAL GLAM SECTOR”, “ANIMATING THE ARCHIVE”, “DESIGNING ENGAGED EXPERIENCE”, and “LOCATING IN PLACE”.
More information about the Handbook can be accessed on the publisher’s website by clicking the image below (apologies for the steep price!).
| New Practices in Digital Media design in Galleries, Libraries, Archives, Museums and Heritage Sites | Hannah Lewi, Wally Smith, Steven Cooke, Dirk vom Lehn |
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FRAMING INTERVIEWS |
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| Interview with Seb Chan, ACMI | Seb Chan, Hannah Lewi and Wally Smith |
| Interview with Dave Patten, Science Museum London | David Patten, Dirk vom Lehn and Wally Smith |
| Interview with Rory Hyde, V&A Museum | Rory Hyde, Dirk vom Lehn and Wally Smith |
| Interview with Keir Winesmith, SFMOMA | Keir Winesmith, Hannah Lewi and Wally Smith |
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PART 1. THE EMERGING GLOBAL DIGITAL GLAM SECTOR |
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| Digitizations, users and curatorial agency within complex global machinic jurisdictions | Fiona Cameron |
| The distributed museum: the flight of cultural authority and the multiple times and spaces of the art museum | Andrew Dewdney |
| The distributed museum is already here–it’s just not very evenly distributed | Ed Rodley |
| Speculative Collections and the Emancipatory Library | Bethany Nowviskie |
| Chinese Museums’ Digital Heritage Profile: An Evaluation of Digital Technology Adoption in Cultural Heritage Institutions | Andrew White and Eugene Ch’ng |
| Hacking heritage: understanding the limits of online access | Tim Sherratt |
| From Planned Oblivion to Digital Exposition: The Digital Museum of Afro-Brazilian Heritage | Livio Sansone |
| Shared Digital Experiences Supporting Collaborative Meaning-Making at Heritage Sites | Sara Perry, Maria Roussou, Sophia S. Mirashrafi, Akrivi Katifori, and Sierra McKinney |
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PART 2. ANIMATING THE ARCHIVE |
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| Neither A Beginning Nor An End: Applying An Ethics of Care to Digitizing Archival Collections in South Asia | Michelle Caswell and Marika Cifor |
| Digital Archives in Africa and the Endangered Archives Programme | Graeme Counsel |
| The Alan Vaughan-Richards Archive: recovering tropical modernism in Lagos. | Ola Uduku |
| Museum Crowdsourcing—Detecting the Limits: eMunch.no and the Digitisation of Letters Addressed to Edvard Munch | Joanna Iranowska |
| Digital and hybrid archives: a case study of the William J Mitchell collection | Thomas Kvan, Peter Neish and Naomi Mullumby |
| Preserving Chinese Shadow Puppetry Culture Through Digitisation | Tin-Kai Chen |
| Be Engaged: Facilitating Creative Re-use at the Netherlands Institute for Sound and Vision | Gregory Markus, Maarten Brinkerink, Brigitte Jansen |
| Cultural Antinomies, Creative Complicities: Agan Harahap’s Digital Hoaxes | Alexandra Moschovi and Alexander Supartono |
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PART 3. DESIGNING ENGAGED EXPERIENCE |
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| On Virtual Auras: The Cultural Heritage Object in the Age of 3D Digital Reproduction | John Hindmarch, Melissa Terras and Steve Robson |
| Configuring Slow Technology Through Social and Embodied Interaction: Making Time for Reflection in Augmented Reality Museum Experiences with Young Visitors | Areti Galani and Rachel Clarke |
| Exhibition Design and Professional Theories: the Development of an Astronomy Exhibition | Dirk vom Lehn, Kate Sang, Richard Glassborow and Louise King |
| Meeting the Challenge of the Immoveable: Experiencing Mogao Grottoes Cave 45 With Immersive Technology | Jeffrey Levin, Robert, Checchi, Lori Wong, Garson Yu and Edwin Baker |
| Immersive Engagement: Designing and Testing a Virtual Indian Residential School Exhibition | Adam Muller |
| Hemispheres: transdisciplinary architectures and museum-university collaboration | Sarah Kenderdine |
| Human-Centred Design in Digital Media | Indigo Hanlee |
| Unlocking the Glass Case | Peter Higgins |
| The law of feeling: experiments in a Yolngu museology | Paul Gurrumuruway and Jennifer Deger |
| Henry VR: designing affect-oriented virtual reality exhibitions for art museums | Paula Dredge, Anne Gerard-Austin, Simon Ives and Andrew Yip |
| Website as publishing platform | Tim Jones and David Simpson |
| From Shelf to Web: First Reflections on the O’Donnell Marginalia Project | Julia Kuehns |
| Interpreting the Future | Tony Holzner |
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PART 4. LOCATING IN PLACE |
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| What Could Have Bean? A Digital Construction of Charles Bean’s Australian War Memorial | Anthea Gunn |
| Succession: A Generative Approach to Digital Collections | Mitchell Whitelaw |
| Rephotography and the Situating of Then-and-Now | Hannah Lewi and Andrew Murray |
| Hospicio Cabañas: Seeing World Heritage Through Google’s Eyes | Cristina Garduno Freeman |
| The Experience of Using Digital Walking Tours to Explore Urban Histories | Wally Smith, Dirk vom Lehn, Hannah Lewi, Katie Best and Dora Constantinidis |
| Traces—Olion: Creating a Bilingual ‘Subtlemob’ for National Museum Wales | Sara Huws, Alison John, Jenny Kidd |
| Investigating ‘Ordinary’ Landscapes: Using Visual Research Methods to Understand Heritage Digital Technologies and Sense of Place | Steven Cooke and Dora Constantinidis |
| Massive Digital Community Archives in Colombia: An International Partnership Towards Peace | Diego Merizalde and Jon Voss |
| Mapping an Archive of Emotions: Place, Memory and the Affective Histories of Perth’s Riverscape | Alicia Marchant |
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Afterword |
Andrea Witcomb |
#digitalization #experience #interaction #interactivity #museums #participation
Interaction, Organisation & Technology 