The introduction to “Introduction to “The Routledge International Handbook of Interactionism” edited by Dirk vom Lehn, Natalia Ruiz-Junco, and Will Gibson (2021) can be downloaded below.
Almost exactly 2 years ago Christian Meyer and colleagues organized a conference to celebrate the 50th anniversary of the publication of Harold Garfinkel’s Studies in Ethnomethodology. A link to information about the 2017 conference is HERE.
Human Studies has just been published Special Issue devoted to the Studies anniversary that can be accessed HERE and on the image below.
vom Lehn, D. (2019). From Garfinkels’ ‘Experiments in Miniature’ to the Ethnomethodological Analysis of Interaction. Human Studies, 42(2), 305-326. https://doi.org/10.1007/s10746-019-09496-5
#Garfinkel #ethnomethodology #sociology #interaction #interactionism
In den vergangenen 10 Jahren sind verschiedene Texte zur Analyse von Interaktion erschienen, in deren Zentrum Videoaufnahmen als Daten stehen. Von besonderer Bedeutung sind in diesem Zusammenhang Texte, die sich auf die Ethnomethodologie und Konversationsanalyse stützen. “Ethnomethodologische Interaktionsanalyse” schließt hier und an mein Buch zu Harold Garfinkel an, in dem ich die Entwicklung der Ethnomethodologie als besondere soziologische Einstellung nachzeichne.
“Ethnomethodologische Interaktionsanalyse” bettet die Analyse von Interaktion auf Basis von Videoaufnahmen in den Kontext der Entwicklung der Ethnomethodologie ein und führt die Analyse am Beispiel von Daten, die ich in den Untersuchungsräumen von Optometrikern aufgezeichnet habe, vor. Dabei gehe ich auf Praktikalitäten der Datenerhebung und -analyse und die Transkription von Videodaten ein. Anschließend wendet sich das Buch der Darstellung von Analysebefunden in Live-Präsentationen und in Texten zu. Das Buch ist in der Serie ‘Standards standardisierter und nicht-standardisierter Sozialforschung’, die von Nicole Burzan, Ronald Hitzler und Paul Eisewicht herausgeben wird, bei Beltz/Juventa erschienen. “Ethnomethodologische Interaktionsanalyse” ist als Kindle-Buch und vom 20. August 2018 auch in der gedruckten Version erhältlich.
Together with Saul Albert I am currently working on video-data collected at Lindy Hop Dance workshops for beginners. Our interest is in the nexus between the body and the social, that for long have been kept separated in sociology. In July 2017 we presented a paper titled ‘Beginning to Dance: methods of mutual coordination between novice dancers‘ at the Joint Action Meeting (JAM) held at Queen Mary’s University London. The paper explores how novice dancers are able to make a first step in step with a dance partner, with the rhythm of the music and with the other dancers. Analytically and methodologically the paper draws on ethnomethodology and conversation analysis and the more recent development of video-analysis of interaction (Heath, Hindmarsh & Luff 2010) as well as from the fabulous analysis of Lindy Hop dance lessons by Leelo Keevalik.
Further information information about the project is on Saul’s website on Dance as Interaction.
- Albert, S. (2015) Rhythmical coordination of performers and audience in partner dance: delineating improvised and choreographed interaction. Etnografia e Ricerca Qualitativa 3/2015, 399-428. doi: 10.3240/81723
- Albert, S. (2017, September). Assessments in the service of rhythmical closings. Presented at the 7th Language and Social Interaction (LANSI) Working Group Meeting, New York.
- Albert, S. & Vom Lehn, D. (2017, July). Beginning to dance: methods of mutual coordination between novice dancers. Presented at the 7th Joint Action Meeting, London, UK.
- Albert, S. (2015, November). Joint improvisation, choreography and social action in a musical partner dance performance. Paper presented at The Science of Joint Improvisation Meeting, CNRS, Paris.
- Albert, S. (2015, June). Dancing through time and space. Paper presented at Revisiting Participation: Language and Bodies in Interaction, Basel.
- Albert, S. (2014, June). Interactional resources and their use in learning the Lindy Hop. Paper presented at the 6th Ethnography and Qualitative Research Conference, Bergamo.
- Albert, S. (2014, June). Interactional choreography. Paper presented at the 1st EMCA Doctoral Network Meeting, Edinburgh.
Together with Will Gibson (UCL) I have just published a book titled “Institutions, Interaction and Social Theory” (Palgrave).
From hospitals and prisons to schools and corporations: no matter how large or seemingly abstract, all institutions are ultimately the result of the actions and interactions of people. In this original and innovative text, Gibson and Vom Lehn show the different ways in which studying people’s own meaning-making practices can help us understand the role of institutions in contemporary society.
Institutions, Interaction and Social Theory takes the reader through the core conceptual foundations of Symbolic Interactionism, Ethnomethodology and Conversation Analysis. Engaging with a rich tradition in sociological thought, it suggests that interactionist perspectives have remained largely absent in the study of institutions, and how they contrast with and contribute to the broader field of research in institutional contexts.
With chapters on healthcare, education, markets, and art and culture, this text will be of interest to those studying institutions, organisations and work in sociology and in business schools. It will also be valuable for students of social theory interested in interactionism, and in the challenges and opportunities of connecting complex theoretical discussions to real world examples.
Excellent post by Ed Rodley in response on a critic’s explanation of how to look at art in museums.
I have a confession to make: art critics baffle me. Especially when they venture to make grand pronouncements about the right way to go about experiencing art in museums. So when I saw the title of Philip Kennicott’s piece in the Washington Post, titled “How to view art: Be dead serious about it, but don’t expect too much” I will confess that I died a little bit inside. “Sigh. Another ‘you people are doing it all wrong’ piece.” Just what the world needs, another art critic holding forth on the sad state of museums and museumgoing. But, though there is plenty of sneering, there’s also a lot worthy of discussion. And debate. Kennicott’s post didn’t stand alone too long before Jillian Steinhauer posted a reply at Hyperallergic, and Jen Olencziak a rebuttal at Huffington Post. So, let’s take a…
View original post 2,719 more words
Over the past few years, together with comments at the Work, Interaction & Technology Research Centre (Christian Heath and Helena Webb) at KCL, Will Gibson at the Institute of Education and the optometrists Bruce Evans, David Thomson and Peter Allen I worked on research and knowledge exchange projects exploring the practical work of optometrists and developing communications training material. some of the research now has been written up and a few months ago a paper “Engendering Response: Professional Gesture and the Assessment of Eye Sight in Optometry Consultations” was published in Symbolic Interaction. This paper focuses on a particular procedure, the so-called Subjective Refraction that involves optometrist and patient in a sequence of interaction through which some of the characteristics of any corrective lens the patient might need, are determined. Some may recognise the test as the better/worse test as it is characterised by a procedure during which the optometrist alternates a patient’s vision by placing a lens in front of their eye as asking, “better with or without”. Our study here was particularly interested in the practice of placing the lens in front of the patient’s eye, a practice that we described as “professional gesture”. Although not specifically taught in optometric training the optometrists in our research deployed the lens by moving it in a particular way in front of the patient’s eye. The gestural movement of the lens in front of the patient’s eye followed almost exactly the same route through the air in all consultations that we filmed. Our analysis reveals that such a carefully designed gesture is required for the optometrist to be able to arrive at reliable and robust data about the patient’s sight. They need the patient to respond to a series of different stimuli presented in front of them without reflecting about it.
Here is a video-abstract on the YouTube channel of Symbolic Interaction in which the lead author of the paper, Helena Webb, discusses the content of the paper and shows the gesture.